Fujifilm Instax Mini 11 Review, Specs, and Price. The INSTAX Mini 11 is the latest instant camera to use Fujifilm’s enormously popular INSTAX Mini film. Launched in February 2020 and available in five pastel colours, the Mini 11 produces small prints using a fully analogue process that takes roughly 90 seconds for the picture to appear after you’ve taken it.
The concept is the same as earlier models, but the 11’s now smaller and makes the process easier with auto exposure, better results in low light, and more convenient close focusing; some of these features have been available on pricier INSTAX models in the past but the 11’s made them more affordable.
The Mini 11 camera costs around 69 dollars or pounds, roughly ten more than the Mini 9 it replaces; yes, there was a Mini 10, but long ago in the series, so Fujifilm’s skipped straight from 9 to 11 here. INSTAX Mini film costs around 15 dollars or pounds for a pack of 20, which works out around 75 cents or pence a print. Packs of 50 prints work out a bit cheaper, and Fujifilm sells a variety with different border styles if you fancy it, including the new Blue Marble.
Beginners to instant digital photography have been well served by Fujifilm’s Instax Mini 9, which has long been our careful selection. It’s budget-friendly, easy to use, and the movie bundle isn’t as well costly either. It is not excellent. You have to change the lighting manually for various illumination circumstances, which are quickly forgotten, and the lens needs a clip-on accessory if you desire your selfie to be in focus.
Fuji has improved the formula with Instax Mini 11, added an automatic exposure system with a variable shutter rate, as well as a lens barrel that can be adjusted for close-ups. Much better, the price just goes up to $ 10/ ₤ 5/ AU $ 17. This makes it the optimal novice electronic camera for anybody that intends to attempt instant photography for the very first time or to perk up parties as well as occasions with amazing images that spur moments that can be shared quickly. Low cost also places it in the reward area.
Fujifilm Instax Mini 11 still utilizes an Instax Mini movie package the dimension of a Fuji charge card, which is several of one of the most affordable split-second movies on the planet. Each plan holds 54 x 86mm shots, which have a rectangular 46 x 62mm (2.4 x 1.8-inch) drawing area.
Both shade and also grayscale plans are offered at rates around $ 8/ ₤ 8/ AU $ 15 per policy, and also, there are numerous variants in color and also border patterns past traditional white. A multi-size of different dimensions can also minimize the cost even further. There is an explicit family members action between the Fujifilm Instax Mini 11 as well as its precursor, the Mini 9. This new cam has the same appearance, practically like a bubble, as well as is still made from matte plastic.
It’s a little slimmer now, though it’s still not quite sized. The LiPlay Mini that is more sophisticated than Fuji, is still one of the most mobile Instax. The rate is higher than double. The front manage is narrower, and now there is a jagged thumb hole at the back for less complicated one-handed usage. In addition to the lens launch, which likewise functions as an ignition switch for the integrated flash, the just various other button is the shutter launch.
There is no chance to shut off the flash, there is no self-timer, and also there is no tripod string near the bottom. This is as simple as an instant video camera. The film bundle is packed through the flip-down door at the back, with the viewfinder sliding to the far appropriate side. A tiny counter checks the rest of your shots, so you accidentally open up the movie door as well as throw out the half-finished package.
Mini 9 is not worried about bright shades, and also Mini 11 has a fit, although it sticks with pastel shades for a smoother impact. Fuji likewise includes two rubber stick-on buttons, which make the shutter switch a little simpler to locate blind. The diamond result finishes a bit dirty as well as won’t be to taste. Like the Mini 9, it uses two AA batteries, which are much easier to obtain than CR2 batteries which power numerous various other Fuji immediate cams. Battery life is generally around ten packs of film, or 100 shots, so it’s more than enough for one day of capturing.
Here’s the new Mini 11 on the left in Lilac Purple, and the previous Mini 9 on the right in Ice Blue– two of my favourite finishes. You can see the basics are the same but that the Mini 11 is narrower, giving it slightly less of a grip, but of course occupying less space in your bag or pocket. Both models use a simple optical viewfinder for composing when you’re behind the camera, or a small mirror to the left of the lens for selfies; this was introduced on the Mini 9 and works surprisingly well, but like all analogue INSTAX cameras, expect some framing inaccuracies with the viewfinder especially as you get close. Both also share the same flash which fires automatically with every shot.
Both are powered by a pair of AA batteries housed in a compartment on the grip side and good for around 100 shots, or 10 packs of film. Round the back, the newer Mini 11 sports an embossed INSTAX logo on the rear, but otherwise the film loader remains the same. A couple of small holes on the left side allow you to attach the supplied hand-strap.
Both cameras employ a 60mm lens which on the Mini format delivers coverage equivalent to around 34mm– that’s mild wide angle, ideal for general use from portraits and selfies to buildings and landscapes.
Both models also require you to push a button in the corner to power-on and extend the barrel for use. As standard, both lenses can focus between about half a meter to infinity, but closer focusing is where they differ. On the older Mini 9 you ‘d need to clip-on an easily lost adapter to focus any closer, but in the first major upgrade the newer Mini 11 now lets you simply pull out the lens barrel a notch further to reveal a selfie mode, although it’ll work for any close subject. Their closest focusing ranges may become the same 30 to 50cm, but it’s so much easier to access on the Mini 11, making it more convenient, especially for selfies.
The Mini 11 also handles exposures differently to the Mini 9. On the older model, the shutter speed was fixed at 1/60, with the exposure manually controlled by four aperture settings around the lens. In use the camera would suggest the one it thought was best with a light on the barrel, but then you had to manually turn the ring to match it. Why do I have to do it?
Now on the Mini 11, the aperture is fixed and the shutter speed varies automatically between 1/250 and half a second, giving it a broader range than the Mini 9, and in theory allowing it to better-handle very dim or bright conditions.
